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Martin de la Iglesia : Curriculum Vitae
de la Iglesia, M. (2021). Art History, Japanese Popular Culture and the Tokyo 2020 Olympics. https://doi.org/10.17613/tf0c-q391
de la Iglesia, M. (2014, July). Early manga translations in the West: underground cult or mainstream failure? Comics Forum 2013, Leeds, 21-22 November. http://comicsforum.org/2014/07/14/early-manga-translations-in-the-west-underground-cult-or-mainstream-failure-by-martin-de-la-iglesia/
de la Iglesia, M. (2011). Hamburg’s warehouse district in Martin tom Dieck’s “hundert Ansichten der Speicherstadt.” 9th International Conference on Word and Image Studies, “L’imaginaire / The Imaginary”, Université Du Québec à Montreal, August 22-26. http://publikationen.ub.uni-frankfurt.de/frontdoor/index/index/docId/23328
De la Iglesia, M. (2022). Rémi LOPEZ: The Impact of Akira: A Manga [R]evolution. Asian Studies, 10(1), 449–453. https://doi.org/10.4312/as.2022.10.1.449-453
de la Iglesia, M. (2020). Formal Characteristics of Animal Liberation in Comics. Closure. Kieler e-Journal Für Comicforschung, 7, 90–110. https://www.closure.uni-kiel.de/closure7/iglesia
de la Iglesia, M., & Schmeink, L. (2020). Akira and Ghost in the Shell (Case Study). In The Routledge Companion to Cyberpunk Culture (pp. 162–168). Routledge. https://hcommons.org/deposits/item/hc:44395/
de la Iglesia, M. (2018). Has Akira Always Been a Cyberpunk Comic? Arts, 7(3). https://doi.org/10.3390/arts7030032
de la Iglesia, M. (2018). Japanese Art in the Contact Zone: Between Orientalism and ‘Japansplaining.’ In J. Erdeljan, M. Germ, I. Prijatelj Pavičić, & M. Vicelja Matijašić (Eds.), Migrations in Visual Culture (pp. 45–54). Ljubljana University Press, Faculty of Arts. https://doi.org/10.4312/9789610601166
de la Iglesia, M. (2016). The Task of Manga Translation: Akira in the West. The Comics Grid: Journal of Comics Scholarship, 6(1). https://doi.org/10.16995/cg.59
de la Iglesia, M. (2015). Akira im Westen. In N. Mälzer (Ed.), Comics. Übersetzungen und Adaptionen (Vol. 76, pp. 355–373). Frank & Timme.
de la Iglesia, M. (2015). Towards the scholarly documentation of street art. Street Art & Urban Creativity, 1(1), 40–49. http://www.urbancreativity.org/uploads/1/0/7/2/10727553/journal2015_v1_n1_web_final.pdf
de la Iglesia, M. (2014). Presence in Comics. Studies in Visual Arts and Communication, 1(2). http://journalonarts.org/wp-content/uploads/2015/01/SVACij-Vol1_No2_2014-delaIGLESIA_Martin-Presence_in_comics.pdf
de la Iglesia, M. (2013). I’m always touched by your presence, dear: Blondie album covers and the concept of presence. European Review of Artistic Studies, 4(2). http://www.eras.utad.pt/docs/JUN%202013%20estudos%20interdisciplinares.pdf
de la Iglesia, M. (2012). Review of The Dragon and the Dazzle. ImageTexT. Interdisciplinary Comics Studies, 6(2). http://www.english.ufl.edu/imagetext/archives/v6_2/de_la_Iglesia/
de la Iglesia, M. (2011). The popularity of works of art. Kunstgeschichte. Open Peer Reviewed Journal. http://www.kunstgeschichte-ejournal.net/252/
de la Iglesia, M. (2010). Authorship, Collaboration, and Art Geography. CLCWeb: Comparative Literature and Culture, 12(3). http://docs.lib.purdue.edu/clcweb/vol12/iss3/6/
de la Iglesia, M. (2007). Geographical Classification in Comics. International Journal of Comic Art, 9(2), 330–339. https://hal.archives-ouvertes.fr/hprints-00438105v1