group show. “‘A Imagem Holografica (The Holographic Image)’, Calouste Gulbenkian Foundation, October  & November 1985.” 1985.

———. “‘Artec’ Biennale, World Design Expo, Nagoya, Japan, July 15 – November 26, 1989.” 1989.

———. “‘Artware’, an Exhibition in the Congress Center Hamburg, November 27th – December 1st, 1985, on the Occasion of the InterMedia Congress, Curator: David Galloway.” presented at the InterMedia Congresses, Congress Centrum Hamburg, 1985.

———. “‘British Photography: Towards a Bigger Picture’, Curated by Mark Haworth-Booth and Chris Titterington, Photography Department, Victoria & Albert Museum, 1987.” Exhibition, Victoria & Albert Museum, London, 1987.

———. “‘Installation Age’, Tokyo Metropolitan Museum of Phtoography, June 11 – 23, 1992.” 1992.

———. “Künstlichkeit Und Wirklichkeit", VHS Wuppertal, December 2 – 20, 1987.” Wuppertal, 1987.

———. “‘New Directions in Holography, The Landscape Reinvented’, Mississippi Museum of Art, Jackson, 1995.” 1995.

———. “‘New Directions in Holography’, Whitney Museum of American Art, November 19 – December 29, 1991.” Whitney Museum of American Art, 1991.

———. “‘Northern Lights’, Fruitmarket Gallery, December 7, 1996 – February 1, 1997.” 1997.

———. “‘Pandora’s Key, a Selection of Work by Som of Southwark's Women Artists’, South London Art Gallery, March 27 – May 7, 1987.” South London Art Gallery, 1987.

———. “‘Spotlights and Glass Plates’, New Holograms from Artists Using This Unique Facility, Goldsmiths’ Holography Workshop, October 26 – November 6, 1981.” Goldsmiths’ Holography Workshop, 1981.

———. “‘The Artful Jackson Heights’, Krasdale Gallery, White Plains NY, October 15, 2005 – January 10, 2006.” 2006.

———. “‘The Holography Show’, Holograms by Artists from Goldsmiths’ Holography Workshop, Orchard Gallery, Derry, October 1 – 23, 1982 (with Tour).” 1982.

———. “‘Where Are We? Questions of Landscape’, Graves Art Gallery, Sheffield, September 20, 2007 – January 5, 2008 (exhibition Organised by the V&A, London.” 2007.

“Magnan Metz Group Exhibition: Destination Unknown - EXHIBITIONS - Magnan Metz Gallery.” Accessed June 29, 2014. http://www.magnanmetz.com/exhibitions/magnan-metz-group-exhibition-destination-unknown#1.

Wenyon & Gamble. “‘A Universe Held up for Inspection’, Holograms and Photographs, Susan Gamble and Michael Wenyon, Magnan Projects, New York, April 20 – May 25th, 2012.” MagnanMetz Gallery, New York, 2012.

———. “‘Bibliography’, Wenyon & Gamble, Art Tower Mito, October 10 – November 3, 1992.” 1992.

———. “Bibliomancy, an Exhibition of Holograms by Susan Gamble and Michael Wenyon.” Exhibition, The Boston Athenaeum, 1998.

———. “"Great Halls of Science, Photographs and Holograms’, Susan Gamble and Michael Wenyon, Magnan Projects, New York, March 22 – April 28, 2007.” Magnan Projects, New York, 2007.

———. “‘In the Optical Realm: Wenyon & Gamble Holographic Installation Works 1988 –1991’, Wolverhampton Art Gallery & Museum, October 5 – November 23, 1991.” Wolverhampton Art Gallery, 1991.

———. “‘Light & Dark’, Wenyon & Gamble, The Royal Observatory Edinburgh, July 30 – September 4, 1994.” 1994.

———. “‘Observing the Observers...’, Wenyon & Gamble, MIT Museum’s Compton Gallery, February 18 – May 6, 2000.” Cambridge, Mass, 2000.

———. “‘Speckle Holograms’, Wenyon & Gamble, Goldsmiths’ College Gallery, New Cross, London, October 3 – 23, 1985.” Goldsmiths’ College Gallery, 1985.

———. “‘The Heavens’, Wenyon & Gamble, Presented in MultiMediale 1, Exhibition in the Orgelfabrik, Karlsruhe-Durlach, October 30 to November 11, 1989. Installation of Long Narrow Holograms on Easels, Coloured Lighting.” Exhibition presented at the MultiMediale <1989, Karlsruhe>: MultiMediale Karlsruhe 30.10.-04.11.1989 / veranstaltet vom Zentrum für Kunst und Medientechnologie Karlsruhe. [Planung und Durchführung: Johannes Goebel ...]. Karlsruhe: ZKM, 1989 92 S., Ill. Ausstellungskatalog, Orgelfabrik, Karlsruhe-Durlach, 1989. http://on1.zkm.de/zkm/stories/storyReader$6761.

———. “‘Volumes’, Wenyon & Gamble, Photographers Gallery, London and Collins Gallery, Glasgow, May 3 – 23, 1994.” 1994.

———. “‘Wenyon & Gamble: Hologramme – Zeichnungen’, Galerie Holographie & Design, Peter Ludwig, Cologne (Köln), December 15, 1984 – February 2, 1985.” 1984.

———. “‘Wenyon & Gamble: New Holograms’ Glynn Vivian Art Gallery & Museum, Swansea, August 1984.” 1984.

Wenyon & Gamble, Susan Gamble, and Wenyon, Michael. Catalogue Brochure to Exhibition “Light & Dark”, Wenyon & Gamble, The Royal Observatory Edinburgh, July 30 – September 4, 1994. Edinburgh, 1994.

Gamble, Susan. “Knickers”, from the “Body in Question” Series. Hologram (transparent glass photographic plate) in acrylic frame, suspended, illuminated from spotlight above and behind, 203 mm (h) x 254 mm (w) glass plate, 1982. Photography Collection, Victoria & Albert Museum.

———. “Stockings”, from the “Body in Question” Series. Hologram (transparent glass photographic plate) in acrylic frame, suspended, illuminated from spotlight above and behind, 203 mm (h) x 254 mm (w), 1982. Photography Collection, Victoria & Albert Museum.

———. “Waitress”s Mirrors’ ('Cake on a Plate' and “Tart on the Floor”). Two circular mirror-backed holograms on transparent glass photographic plates, in carved wooden frames with linen bows and silver leaf, suspended, Holograms 229 mm in diameter, 1982. Owned by artist.

Wenyon & Gamble. Aerosol. Two holograms on film, laminated to glass, on easel, with external spot lights, 500 mm x 1200 mm (h x w, hologram size) on framed glass 600 mm x 1400 mm approx., 1985. Photography Collection, Victoria & Albert Museum.

———. Airy’s Discs. Three holograms on glass, mounted on easel, with photo-projection background, 300 x 1200 mm (h x w, hologram), 1988. Owned by artists.

———. Album (series, Recordings of Boxes Containing Photographic Plates by Charles Piazzi Smythe, Astronomer Royal, Scotland, Held in the Archives of the Royal Observatory Edinburgh). Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, Size variable (installation), 1994. Owned by artists.

———. Album: Clouds in Motion. POSITIVES 1, 1876. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: CLOVA – CLOUD-TAKING CAMERA, 1892, BOX 2. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: CLOVA – CLOUD-TAKING CAMERA, 1892, BOX 8. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: Cycle of Ferns. NEGATIVES, 3. 1875-6. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: Edinburgh, 1875. (Screen & Stereo). Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: GREAT PYRAMID, STEREO, No. 1, 1864. & Double Portrait of Dear Mrs C.P.S. as the Lady of East Tombs & Pyramid Hill 1864. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: GREAT PYRAMID, STEREO, No. 2, 1864. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: Isle of May, 1858 (Screen) No. 2. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: Moon, Edinburgh, 1852 (Screen.). Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: MOONS and Various, Subjects, Elephants & c [obscured Writing] STEREO. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: Orotava, Teneriffe, 1856 (Screen). Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Album: Three Cities in RUSSIA, 1859. Screen. Novgorod. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10 x 8 inches (h x w), on 5 mm glass, 1994. Owned by artists.

———. Antenna. Two holograms on film, laminated to glass, on easel, with external spot lights, 500 mm x 1200 mm (h x w, hologram size) on framed glass 600 mm x 1400 mm approx., 1985. Owned by artists.

———. Automated Observations. Inkjet photograph, laminated to aluminium sheet, three pieces, 1.2 x 5.4 m (h x w), 2003. Met Office (UK).

———. Bibliography. 54 holograms on glass of books from the Art Library of Tsukuba University; installation on wall with acrylic clips and framing spot lights, 430 x 80 mm (h x w, each hologram) on 3 mm glass; holograms total of six metres wide, 1992. Owned by artists.

———. Bibliomancy (54 Holograms on Glass of Books from The Boston Athenaeum (library)). 54 holograms on glass of books from The Boston Athenaeum (library); installation on wall with acrylic clips and framing spot lights, 430 x 80 mm (h x w, each hologram) on 3 mm glass; holograms total of six metres wide, 1998. Owned by artists.

———. Bibliomancy: The Cutter Index (series of Holograms of Eight Card-Index Drawers from The Boston Athenaeum). Eight holograms on glass of index drawers from The Boston Athenaeum (library); installation on wall with acrylic clips and framing spot lights, 10 x 8 inches (h x w, each hologram) on 5 mm glass; installed size variable, 1998. Owned by artists.

———. Circling off Ramsgate. Inkjet digital photograph; panoramic photograph of bouy in sea off of Ramsgate seen from a boat, 17 x 50 inch (h x w) sheet, 10 x 42 inch (h x w) image, 2004. Photography Collection, Victoria & Albert Museum.

———. Coal Seam. Double-plate hologram, emulsion on glass, recorded with speckled pattern of laser light and multiple exposures for each colour; mounted in artist-painted frame on painted easel; with three spot lights on hologram and coloured spotlight on wall behind, 300 mm x 800 mm (h x w, hologram size), 1984. Owned by artists.

———. Comet (1). Circular cut hologram (emulsion on glass) and engraved acrylic; on stand with extra lighting for engraving, 200 mm diameter hologram, 1987. Owned by artists.

———. Comet (2). Two triangular cut holograms (emulsion on glass) and engraved acrylic; on stand with extra lighting for engraving, 8 x 10 inches (h x w) each hologram approx.; acrylic surround 500 x 1200 mm approx, 1987. Owned by artists.

———. Comet (3) (part A of Three Parts). Circular cut hologram (emulsion on glass) and engraved acrylic; on stand with extra lighting for engraving, 250 mm diameter hologram; acrylic surround 500 x 1200 mm approx, 1987. Owned by artists.

———. Designing a Strategy: Joint European Torus, United Kingdom Atomic Energy Authority, England. Inkjet photograph, 17“ H x 70” W, 2002.

———. Dome Explored in Lunar Form. Photographic collage, Eight photographs 10“ x 10” in frame 58“ h x 38” w, 2000.

———. Dust in the Eyes. Three holograms, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight; in opal acrylic frame designed by artists; suspended; with additional coloured spotlights on wall behind, 300 x 400 mm (h x w, hologram size), 1984. Owned by artists.

———. Expander. Double-plate hologram, emulsion on glass, recorded with speckled pattern of laser light; mounted in artist-painted frame on painted easel; displayed with two spot lights on hologram and spotlight on wall behind, 300 mm x 800 mm (h x w, hologram size), 1984. Owned by artists.

———. Fragments of a Meteorite That Fell through a Roof in Strathmore, Scotland (fragments 1a, 1b and 2). Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 10“ H x 8” W, 1994.

———. Ghost. Custom museum display cabinet with Pepper’s Ghost illusion; objects; video monitor, 2 x 0.4 x 0.4 metres (h x w x d), 2002. Owned by artists.

———. Habitat. Double-plate hologram, emulsion on glass, recorded with speckled pattern of laser light ; mounted on easel; with two spot lights on hologram and coloured spotlight on wall behind, 300 mm x 800 mm (h x w, hologram size), 1984. Owned by artists.

———. Inside the Mega-Amp Spherical Tokamak, United Kingdom Atomic Energy Authority, England. Variable size, 2002.

———. Logos. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight; silhouette of hand moves as viewer walks up to hologram, 500 mm (h) x 600 mm (w), on 5 mm glass; framed, 1984. Owned by artists.

———. Mount Abu, Day. Pigment inkjet print, 24“ x 91” (H x W), 2012.

———. Mount Abu, Evening. Pigment inkjet print, 24“ x 91” (H x W), 2012.

———. Newton’s Rings. Three holograms on glass, mounted on easel, with photo-projection background, 300 x 1200 mm (h x w, hologram), 1987. Owned by artists.

———. Operations Centre, Meteorological Office, England, 2004.

———. Our Beach. Hologram (emulsion on glass) and engraved acrylic frame; suspended; with extra lighting for engraving, 300 x 400 mm (h x w) hologram; acrylic frame 600 x 600 mm approx, 1983. Owned by artists.

———. Panorama from the Steerable Antenna, Millstone Hill. Inkjet print from original digital camera image, 2000. owned by artist.

———. Picket. Three holograms on glass, mounted on easel, with photo-projection background, 300 x 1200 mm (h x w, hologram), 1986. Owned by artists.

———. Power. Three holograms on glass, mounted on easel, with photo-projection background, 300 x 1200 mm (h x w, hologram), 1987. Owned by artists.

———. Propellor. Double-plate hologram, emulsion on glass, recorded with speckled pattern of laser light; mounted in artist-painted frame on painted easel; displayed with two spot lights on hologram and spotlight on wall behind, 300 mm x 800 mm (h x w, hologram size), 1984. Owned by artists.

———. Radii. Three holograms, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight; mounted on constructed wall; blue floodlighting behind wall to ceiling, 500 mm x 1800 mm (holograms, h x w); wall various sizes, 1989. Owned by artists.

———. Scan. Double-plate hologram, emulsion on glass, recorded with speckled pattern of laser light ; mounted on easel; with two spot lights on hologram and coloured spotlight on wall behind, 300 mm x 800 mm (h x w, hologram size), 1984. Owned by artists.

———. Scape. Hologram (transparent glass photographic plate) in wood frame, on tripod, illuminated from spotlight behind, 320 x 430 mm (h x w, size of hologram), 1996. Owned by artists.

———. Scope. Hologram (transparent glass photographic plate) in wood frame, on tripod, illuminated from spotlight behind, 320 x 430 mm (h x w, size of hologram), 1996. Owned by artists.

———. Stella Maris. Five holograms, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight; mounted on constructed wall; blue floodlighting behind wall to ceiling, 500 mm x 3000 mm (holograms, h x w); wall various sizes, 1989. Owned by artists.

———. Steve Squyres in His Office at Cornell University, Ithaca, NY, 2005. National Portrait Gallery, Washington.

———. Tableau. Two holograms on film, laminated to glass, on easel, with external spot lights, 500 mm x 1200 mm (h x w, hologram size) on framed glass 600 mm x 1400 mm approx., 1985. Owned by artists.

———. Telescope. Circular cut hologram (emulsion on glass) and engraved acrylic; on stand with extra lighting for engraving, 200 mm diameter hologram, 1987. Owned by artists.

———. The Auditorium: National Academy of Sciences, Washington DC. Pigment inkjet print, 2005.

———. The Chemical Change: A Whisk, An Egg, A Pan. Three holograms, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight; in opal acrylic frame designed by artists; suspended; with additional coloured spotlights on wall behind, 300 x 400 mm (h x w, hologram size), 1984. Owned by artists.

———. The Colour Field, Plants from Deptford. Hologram, transparent emulsion on film laminated to sand-blasted glass, supported on poles and illuminated by spotlights from behind, 500 x 1200 mm, h x w, hologram size (in two pieces), 1985. The Chunichi Shimbun collection, Nagoya, Japan.

———. The Earth Dome, Ahmedabad, India. Pigment inkjet print, 20“ x 91” (H x W, image size), 2010.

———. The Form of the Visible. Installation with holograms, lighting, 3.2 x 7.2 m (h x w) approx. wall with embedded holograms, color slides and lighting, 1996. Owned by artists.

———. The Fringes of the Shadows of the Knives. Three holograms on glass, mounted on easel, with photo-projection background, 300 x 1200 mm (h x w, hologram), 1987. Owned by artists.

———. The Great Hall, New York Hall of Science. Pigment inkjet print, 2004.

———. The Haystack Radome Mapped with Its Own Telescope. Inkjet print from original digital camera image, 40“ H x 200” W, 2000.

———. The Mars Rover Team at Cornell University, 2005.

———. The Planetarium, Havana, Cuba. Pigment inkjet print, 24“ H x 76” W, 2009.

———. The Platonic Solids, Ahmedabad, India. Inkjet photograph, 24“ x 44” (H x W), 2010.

———. The Transparent Dome, Royal Observatory Greenwich, 2000.

———. The Vulcan Target Chamber, Rutherford Appleton Laboratory, England. Pigment inkjet print, 2002.

———. Trail. Three holograms on glass, mounted on easel, with photo-projection background, 300 x 1200 mm (h x w, hologram), 1987. Owned by artists.

———. Ultra Violet Laser Lab, Rutherford Appleton Laboratory, England. Pigment inkjet print, Variable size, 2002.

———. View from Inside the Incoherent Scatter Radar, Millstone Hill. Inkjet print from original digital camera image, 2000. owned by artist.

———. Water Stretch. Double-plate hologram, emulsion on glass, recorded with speckled pattern of laser light ; mounted in artist-painted frame on painted easel; with two spot lights on hologram and coloured spotlight on wall behind, 300 mm x 800 mm (h x w, hologram size), 1984. Owned by artists.

Wenyon & Gamble, Susan Gamble, and Wenyon, Michael. Beneath the Radio Telescope, Haystack Observatory. Inkjet print from original digital camera image, 40“ H x 200” W, 2000. owned by artist.

———. Elements from a Global Array. Photographic collage, Five photographs each 10“ x 10” in frame 27“ h x 4 1 ” w, 2000. Owned by artists.

———. Little Points: First Quadrant, Second Quadrant, Etc. Two holograms (from a set of five), silver-hallide emulsion on glass in wood frame, mounted on tripod, installed with colored-light projection behind and illuminated by yellow laser light, each 320 mm (H) x 430 mm (W), from a set of five original holograms exposed directly., Size variable (installation), 2012. Owned by artists.

———. Observatory Library, Haystack (journals). Inkjet print from original digital camera image, Size variable up to 40“ H x 200” W, 2000. owned by artist.

———. Radio Waves from Space. Holographic installation: 13 holograms on glass of magnetic data discs from The Haystack Radio Observatory, MIT; installation on wall with acrylic clips and framing spot lights, 13 holograms each 430 x 80 mm (h x w, each hologram) on 3 mm glass; holograms total of two metres wide, 2000. Owned by artists.

———. Rotational Mosaic, Haystack Dome. Photographic collage, Twelve photographs 10“ x 10” in frame 40“ x 40,” 2000.

———. Rotational Mosaic, The Unisphere. Photographic collage, Twelve photographs 2“ x 2” in frame 10“ x 10,” 2007.

———. The Amateurs, Westford, Massachusetts. Photographic collage, Twelve photographs 10“ x 10” in frame 40“ x 40,” 2000.

———. The Control Room, Haystack Observatory. Inkjet print from original digital camera image, Size variable up to 40“ h x 200” w, 2000. owned by artist.

———. The Correlator, Haystack Observatory. Inkjet print from original digital camera image, Size variable up to 40“ H x 200” W, 2000. owned by artist.

———. The Dish Lensed, Haystack Observatory. Inkjet print from original digital camera image, 40“ H x 200” W, 2000. owned by artist.

———. The Heavens (installation at ZKM in Karlsruhe, Germany). Installation with holograms, lighting, 11 m x 11 m x 11 m, 1989.

Wenyon, Michael. Here You Could Be Inside or Outside the Situation. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 400 mm (h) x 300 mm (w), 1982. Artist.

———. Holographic Spectacles. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 400 mm (h) x 300 mm (w), 1980. Owned by artist.

———. Second Look. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 203 (H) x 254 (W) mm, (8“ x 10”), 1981. owned by artist (#VII of edition of 9).

———. Venetian Blind. Hologram, black-painted emulsion glass photographic plate illuminated from front and overhead by spotlight, 300 mm (h) x 400 mm (w), 1981. Owned by artist.

Gamble, Susan, and Michael Wenyon. “Volumes: Holograms of Books.” Leonardo 28, no. 4 (1995): 331–32. http://www.jstor.org/stable/1576202.

“Maxgadney.com: The Rise of The Tower Graphic.” Accessed October 15, 2010. http://www.maxgadney.com/2010/10/the-rise-of-the-tower-graphic-and-video-thanks-to-tom-pearson.html.

Wenyon, M. “Color Management for the Desktop Darkroom.” Optics & Photonics News 11, no. 8 (2000): 53–59.

Wenyon, M., W. Molteni, and P. Ralli. “White Holographic Reflectors for LCDs.” Sociey for Information Display 1997 International Symposium, Hynes Convention Center, Boston, MA, May 14 (1997).

Wenyon, Michael. “Apocalypse Then.” Marxism Today, March 1989.

———. “Boulder Emerges as New Optics Hub in the West.” Optics & Photonics News 13, no. 4 (2002): 28–32. http://www.opticsinfobase.org/abstract.cfm?URI=OPN-13-4-28.

———. “Contact MacInTouch | Subject: Yosemite Spotlight Internet Connections,” October 19, 2014. http://submit.macintouch.com/.

———. “Engineering the Future While Looking at the Past, a Lecture in the Janus Series, New York Public Library.” Lecture presented at the Janus lecture series 2006, New York Public Library, March 15, 2006.

———. “‘Flare’in Slanted-Fringe Holograms (private Consultancy Report),” June 26, 2015.

———. “Holography Is an Art Form, Not a Gimmick.” Design, 1979.

———. “Inventors Guide to NYPL Resources.” New York Public Library, December 8, 2008.

———. “Log Cabins R Us | The New York Public Library.” Library. NYPL Blogs, Videos & Publications, October 22, 2008. http://www.nypl.org/blog/2008/10/22/log-cabins-r-us.

———. “Looking at Biology | The New York Public Library.” Library. NYPL Blogs, Videos & Publications, December 5, 2008. http://www.nypl.org/blog/2008/12/05/looking-biology.

———. “Michael Wenyon - Marie Cosindas Became a Friend in Boston after We...” Facebook, February 24, 2014. https://www.facebook.com/michael.wenyon/posts/10152007149332424?notif_t=like.

———. “NYPL, Mother of Invention.” NYPL, Mother of Invention, May 17, 2011. http://www.huffingtonpost.com/the-new-york-public-library/nypl-mother-of-invention_b_863124.html.

———. “NYPL, Mother of Invention | The New York Public Library.” Library. NYPL Blogs, Videos & Publications, January 30, 2009. http://www.nypl.org/blog/2009/01/30/nypl-mother-invention.

———. Olografia : Guida Teorica E Pratica Della Fotografia Tridimensionale. Roma: C. Ciapanna, 1980.

———. “Optics and Information Technology.” Optics & Photonics News 13, no. 10 (2002): 44–48. http://www.opticsinfobase.org/abstract.cfm?URI=OPN-13-10-44.

———. “Optimizing Object Illumination in Holographic Interferometry.” Laser Focus with Fiberoptic Technology, 1981.

———. “Prospectus for Goldsmiths’ Holography Workshop (brochure),” 1979. Wenyon personal copy/scan.

———. “Pulse-Frequency Modulation for Broadband Transmission.” Laser Focus with Fiberoptic Technology, 1981.

———. “Sparse Turnout at Utrecht.” Laser Focus with Fiberoptic Technology, 1979.

———. “The Fitzpatrick Center for Photonics.” Optics & Photonics News 13, no. 7 (2002): 22–25. http://www.opticsinfobase.org/abstract.cfm?URI=OPN-13-7-22.

———. “‘These Holographic Spectacles’ (poster for One-Day Course at Goldsmiths’ Holography Workshop),” 1979. Wenyon personal copy/scan.

———. Understanding Holography. New York: Arco Pub. Co, 1978.

Wenyon, Michael. “Exposure Station Design for MTI (private Consultancy Report),” June 19, 2015.

———. “Exposure Station Set up and Use Notes 7-2015 (private Consultancy Report),” 2015–817.

Yardley, William. “Patrick McGovern Dies at 76; Founded Publishing Empire.” The New York Times, March 24, 2014. http://www.nytimes.com/2014/03/25/business/media/patrick-j-mcgovern-founder-of-publishing-empire-dies-at-76.html.

“Zotero Forums - Exhibition, as an Event, Not Its Catalog.” Accessed May 22, 2014. https://forums.zotero.org/discussion/15121?page=1#Item_7.