Peer Reviewed Publications

Fogarty, M. and M. Evans (eds), Movies, Moves and Music: The Sonic World of Dance Films. London: Equinox. [forthcoming]

Fogarty, M. Book Review: "French Moves in Hip Hop Theatre and Dance Scholarship" in Dance Research Journal. Cambrdige University Press. (forthcoming)

Fogarty, M. (2014) “Gene Kelly: The Original, Updated” in Melissa Blanco Borelli (ed) The Oxford Handbook of Dance and the Popular Screen. Oxford University Press.

Fogarty, M. (2012). “Breaking expectations: Imagined affinities in mediated dance cultures.” In Andy Bennett and Brady Robards (eds), Mediated Youth Cultures, a special issue of Continuum: Journal of Media and Cultural Studies. London: Routledge.

Fogarty, M. (2012). “Each One Teach One: B-boying and Ageing.” In Andy Bennett and Paul Hodkinson (eds), Ageing and Youth Cultures: Music, Style and Identity. Oxford: Berg.

Fogarty, M. (2012). “Spontaneous Lux: Freestyling in Dance and Music.” In Jesse Stewart (ed), special edition on improvisation for Music and Arts in Action. [forthcoming online video journal]

Fogarty, M. (2012). “Sharing Hip Hop Dance: Rethinking Taste in Cross-cultural Exchanges of Music.” In Carlo Nardi (ed), 16th Biennial IASPM International Conference Grahamstown 2011 Proceedings. [forthcoming]

Fogarty, M. (2011). “A Manifesto for the Study of Popular Dance.” In Danielle Robinson (ed), Dancing the Popular, a special issue of Conversations across the Field of Dance Studies. Autumn/Winter 2010.

Fogarty, M. (2011). "Dance to the Drummer's Beat: Competing Tastes in International B-Boy/B-Girl Culture." University of Edinburgh: PhD dissertation. Available online: https://www.era.lib.ed.ac.uk/handle/1842/5889

Fogarty, M. (2010). “Learning Hip Hop Dance: Old Music, New Music, and How Music Migrates.” In Derek Robbins (ed) Crossing Conceptual Boundaries II. London: University of East London.

Fogarty, M. (2010). “Preserving aesthetics while getting paid: Careers for hip hop dancers today.” In Shelley D. Brunt and Kirsten Zemke (eds), What's it worth? 'Value' and Popular Music: Selected Papers from the 2009 IASPM Australia/New Zealand Conference. Dunedin, N.A.: International Association for the Study of Popular Music, p. 30-33.

Other Publications

Fogarty, M. (2014). "Interview with Crazy Smooth of BBoyizm Dance Company." In Centre Stage Magazine. Available online.

Fogarty, M. (2011). “Waacking, (Punking), Recycling, Schooling: Disco Dance on the Move.” In, Jeanette Bain-Burnette (ed), Hotfoot. Winter ed. London: ADAD, the Association of Dance of the African Diaspora.

Fogarty, M. (2009). Book Review: The Hidden Musicians: Music-Making in an English Town. By Ruth Finnegan. Popular Music, 28: 289-292. Cambridge: Cambridge University Press.