| Which Bodies Matter? Feminism, Poststructuralism, Race, and the Curious Theoretical Odyssey of the "Hottentot Venus" |
terrisenft |
Jan 19, 2016 11:47:59 PM |
| Venus in Exile: The Rejection of Beauty in Twentieth-Century Art |
terrisenft |
Jan 19, 2016 11:46:55 PM |
| The Political Economy of Communication |
terrisenft |
Jan 19, 2016 11:45:22 PM |
| The Lumière Cinématographe and the Production of the Cinema in Japan in the Earliest Period |
terrisenft |
Jan 19, 2016 11:44:45 PM |
| The marketing of rebellion: insurgents, media, and international activism - Page 49 |
terrisenft |
Jan 19, 2016 11:44:32 PM |
| The Frenzy of the Audible: Pleasure, Authenticity, and Recorded Laughter |
terrisenft |
Jan 19, 2016 11:44:07 PM |
| The City: The Basics |
terrisenft |
Jan 19, 2016 11:43:24 PM |
| The Affect Theory Reader |
terrisenft |
Jan 19, 2016 11:42:50 PM |
| Surveillance history and the history of new media: An evidential paradigm |
terrisenft |
Jan 19, 2016 11:42:09 PM |
| Sport Without Guarantees: Toward a Cultural Studies That Matters |
terrisenft |
Jan 19, 2016 11:41:13 PM |
