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———. The Creative Process in the Autograph Musical Documents of Hector Berlioz, C. 1818-1840. Edited by George Buelow. Studies in Muiscology 7. Ann Arbor: UMI Research Press, 1980.

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———. “Les Fragments de L’opéra ‘Perdu’ de Berlioz: Les Francs-Juges.” Revue de Musicologie 63, no. 1/2 (1977): 78–88. http://www.jstor.org/stable/928458.

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———. “Reconstructing a Berlioz Sketch.” Journal of the American Musicological Society 20, no. 1 (1975): 125–30. doi:10.2307/830920.

———. “Staging the ‘Play of Daniel.’” Early Music 4, no. 2 (April 1976): 159–63. http://www.jstor.org/stable/3125511.

———. “The Berlioz Catalogue: History, Structure, Problems, Lessons.” Studia Musicologica Academiae Scientiarum Hungaricae 34, no. 3/4 (1992): 295–306. http://www.jstor.org/stable/902284.

———. “The Berlioz Sketchbook Recovered.” 19th-Century Music 7, no. 3 (April 3, 1984): 282–317. doi:10.2307/746383.

———. “The Present State of Berlioz Research.” Acta Musicologica 47, no. 1 (January–June 1975): 31–67. http://www.jstor.org/stable/932326.

———. “Viewpoint: Berlioz, Lately.” 19th-Century Music 25, no. 2–3 (2002): 337–46. doi:10.1525/ncm.2001.25.2-3.337.

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———. “Orchestral Material from the Library of the Société Des Concerts.” 19th-Century Music 7, no. 2 (1983): 106–18. doi:10.2307/3519806.